(NOTE: I will be posting a new column every Sunday from now on - not on Friday)
A friend called me the other day and asked me if I could do her a favor and take
her son’s senior yearbook photos for him.
“Photographers
are SO expensive,” she said. “Luckily, the kids can submit their own photos,
wearing whatever they want and posing however they want.”
I
found myself feeling very envious of the kids of today. Back when I had my
senior photo taken for my high-school yearbook, there weren’t any such options.
We were given appointments to show up at Rheault Studios on Elm Street in
Manchester and were told, per penalty of death, to look neat and well-groomed.
And the boys had to wear jackets and ties.
I
remember how stressed out I was the week before my appointment. I tried on
every piece of clothing I owned, and even some of my mother’s. Nothing seemed
right. The worst part was I knew that whatever I selected to wear, it would be
immortalized in print forever in the yearbook. Talk about pressure.
“How
about this?” I asked my mother as I modeled a pink flowered blouse.
“Too
busy,” she said. “A solid-colored sweater with a nice necklace is all you need.
After all, the photo is going to be in black in white anyway.”
I
hadn’t thought about that. No matter what color I wore for the photo, it was
going to be black, white or some shade of gray in the photo. I finally chose a
light-blue sweater and a heart-shaped locket.
The
day of my photo, I had to walk to Rheault’s Studio directly from school. I’d
worked hard all day to keep my shoulder-length hair in a perfect flip. There
had been endless trips to the ladies’ room, where I’d sprayed my hair until it
was so stiff, if I’d fallen down a flight of stairs and landed on my head, I
wouldn’t have hurt myself because my hair would have acted like a helmet.
On a
normal day, I would have been wearing pink lipstick, rose blusher, green
eye-shadow and eyeliner, but one of my friends told me that colorful makeup
looked terrible in black-and-white photos. “You don’t want to look embalmed,”
she said. “Go for the totally natural look instead.”
So
there I was, walking across Granite Street Bridge, heading toward Elm Street
and feeling less than confident with my stiff hair and colorless, naked face,
when something completely unexpected happened…it started to rain. By the time I
reached Rheault’s, I looked as if I dunked my head in a bucket.
I
remember climbing a flight of stairs up to the studio and meeting two of my
classmates who were coming down. They took one look at me and started to
giggle. Needless to say, I was getting the distinct feeling my mother probably
wasn’t going to be ordering a case of 8x10 enlargements of my senior photo to
hand out to the relatives.
The
studio was small and dark. The photographer, a man with a friendly voice and a
smile to match, greeted me and then said, “Um, there’s a mirror over there if
you want to comb your hair and freshen up a bit.”
I was
afraid to look into that mirror. When I finally gathered the courage to open my
eyes, I saw a stringy-haired, pale-faced girl in a rain-splotched sweater. Even
worse, I realized that I’d forgotten to wear the heart-shaped locket. I looked
positively drab.
“Great,”
I muttered under my breath. “If I look this bad in living color, I can just
imagine what I’m going to look like in black and white.”
I
combed my hair. The teeth on the comb made a row of lines through my wet hair,
especially on my bangs, which were drooping down to my eyebrows. No matter how
hard I tried, I still ended up looking as if my hair had just been plowed in
preparation for crop planting. I finally gave up and took a seat in front of
the camera.
The
photographer took a few serious, pensive shots of me and then said, “Now give
me a big smile.”
I
managed a tight-lipped smirk.
“No,
I want to see some teeth!” he said.
“I
don’t want to show my teeth,” I protested. “I never smile with them
showing…because of the gap between my two front ones.”
“Don’t
worry, I can touch up the gap,” he said. “No one will even know it’s there.”
My
eyebrows rose. The thought of finally seeing a photo of myself smiling with
even, gapless teeth was enough to make me forget about my limp hair. I flashed
a toothy smile at the camera.
It
seemed like years until I finally received the proofs of my photos. Anxiously,
I opened the envelope. My mouth fell open in horror. The photos were hideous,
horrible, even worse than I ever could have imagined. My eyes looked like two
oysters on the half-shell, and my teeth as huge as a horse’s. My bangs had more
ridges than Ruffles potato chips.
“You’re
being silly,” my mother said when she looked at the proofs. “I think they came
out really nice, especially this one right here.”
I
studied the photo she’d selected. Out of all of the proofs, it was the best of
the bunch. But that wasn’t saying much. I had wanted to be immortalized looking
like Miss America in my yearbook, not like Seabiscuit.
The
finished photo that went into the yearbook didn’t please me at all. For one
thing, the gap in my teeth hadn’t been retouched, as the photographer had
promised it would be, and my eyebrows looked as if two fuzzy caterpillars were
stretched out over my eyes.
Now
that I look back at that senior photo, I realize that not much has changed
since it was taken. I basically still have the same hairstyle and my bangs
still aren’t cooperating.
On
the other hand, I finally tweezed my eyebrows and saved enough money to get my
two front teeth capped.
But I still wouldn't ever want to go through the torture of posing for another yearbook photo.
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